Noir is Protest Literature: Thats Why Its Having a Renaissance as can the reinvention of the comic book hero that was launched in the 1980s with The Dark Knight Returns and Watchmen and reached its grunting, Noir, as it emerged in the middle of a violent century, said to hell with all that.
The antihero also plays a prominent role in films noir such as Double Indemnity (1944) and Night and the City (1950), in gangster films such as The Godfather (1972), and in Western films, especially the Revisionist Western and Spaghetti Western. The AntiHero in the American Novel: The authors' caveats and repeated efforts at alternative definition have been echoed in subsequent scholarship: in the more than five decades since, there have been innumerable further attempts at definition, yet in the words of cinema historian Mark Bould, film noir remains an" elusive phenomenon always just out of reach".
Definition, Usage and a list of AntiHero Examples in common speech and literature. Antihero is a literary device used by writers for a prominent character in a play or book that has characteristics opposite to that of a conventional hero. The isolation from society of the typical noir hero was underscored by the use of stark highcontrast lightingthe most notable visual feature of film noir.
The shadowy noir style can be traced to the German Expressionist cinema of the silent era. In film noir the male protagonist is often a detective or an otherwise social alienated individual. Sometimes the male heroes are featured as amnesiacs, a situation that absolutely creates a feeling of social estrangement and disillusionment.
These hardboiled heroes are antisocial loners that are The Philosophy of Film Noir For example, in a wellknown essay on its social context,certainly a film noir antihero: alienated, cynical, and abrasive in his wit, hostile to the society in which he lives, shrewdly intelligent in his pursuit of his enemy and ruthless when others block his path.
His black attire, specified in Film Noir (literally 'black film or cinema') was coined by French film critics (first by Nino Frank in 1946) who noticed the trend of how 'dark downbeat and black the looks and themes were of many American crime and detective films released in France to theatres following the war, such as The